Archive for ‘B&W’

May 25, 2012

Arnold Layne | Pink Floyd (1967)

They don’t make pop videos like they used to!!  Love this theatrical promo,  Arnold Layne – the first single released by Pink Floyd. The song’s title character is a transvestite whose primary pastime is stealing women’s clothes and undergarments from washing lines. According to Roger Waters, Arnold Layne was actually based on a real person.  “Both my mother and Syd’s mother had students as lodgers because there was a girls’ college up the road so there were constantly great lines of bras and knickers on our washing lines and ‘Arnold’ or whoever he was, had bits off our washing lines.”

However, despite finding a place in the Top 20, the song’s unusual transvestism theme attracted the ire of Radio London, which deemed the song was too far-removed from “normal” society for its listeners, before eventually banning it from radio airplay altogether.

This black and white promotional film of Arnold Layne  features members of Pink Floyd dressing up a mannequin before showing it around a beach in East Wittering, West Sussex. Recently, an alternative promotional film was unearthed, which featured the band goofing around on Hampstead Heath, and also in front of St Michael’s Church in Highgate near to where the band were living at the time. It is the only known footage of Barrett lip synching to the song. Shot in the spring of 1967, around the time that Barrett had begun his mental deterioration.

May 14, 2012

Irreversible Materiality | Rethink

Pure Extraction is an experimental multimedia piece from my Rethink project.  You can read about the projects gestation on the project blog.

You can also view reference images here.

May 13, 2012

Akiko | Infinity Mirrored Room

April 6, 2012

A Man With His Head on Fire


Good Friday | Bankside, London 2012.

April 1, 2012

SONIC | Duets

February 19, 2012

Interview | Eikoh Hosoe

February 19, 2012

Kamaitachi | Eikoh Hosoe


All images © Eikoh Hosoe

Eikoh Hosoe’s long association with the revolutionary performance movement butoh came about through his encounter in 1959 with one of its founders, Tatsumi Hijikata. Hosoe collaborated with Hijikata on several series including Kamaitachi, which is acknowledged as the finest illustration of Hosoe’s hybrid photographic style, combining performance and documentary with a dramatic, virile aesthetic that embodies the founding principles of Hijikata’s ankoku butoh or ‘dance of darkness’.  The dramatic and intense energy that Hijikata generated with his dance not only captured Hosoe’s imagination but also opened up new ways for the young photographer to approach themes such as sexuality, gender and the human body.

Driven by the desire to re-enact his childhood memories when he was evacuated from Tokyo during World War Two, Hosoe had Hijikata perform kamaitachi, the legendary weasel-like demon that haunted the rice paddies in the extremely sparse, rural landscape of the Tohoku region from where they both came. Fusing reality (Hijikata interacting with the landscape and village people) and performance, Hosoe’s ‘subjective documentary’ series opened new ground in Japanese post-war photography.

February 14, 2012

SONIC | Ballroom

February 12, 2012

EAGER | Follow the Red Line

The concept? A red line that connects us all in a graphical way, combined with our mutual love/hate feeling towards shooting a self-portrait. The red line forming an instrument to express yourself at that. Read more

February 8, 2012

PROVOKE | Inspired

Auckland, New Zealand (2006)

Prague Airport (2002)

Rotorua, New Zealand (2006)

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